Chorus girl Florida Bellaire
(1885-) was born in France, daughter of Beatrice Glandon
Bellaire Cornell. At the Iroquois Theater in 1903
Florida was eighteen years old. It was not her
first role (see accompanying photo from Prince of
Pisen) but it not known when her stage career
began. The only reason it is known that she
appeared in Mr. Bluebeard is that her name appeared
with twelve others in a newspaper blurb about cast
members who successfully petitioned
Chicago police chief O'Neill to return their street
clothes after the fire.* They had fled the theater
with only their costumes. By 1908 the
importance of her role in productions had advanced
sufficiently that she was commonly listed amongst
the cast in newspaper advertisements, though rarely
important enough to for the name of her role to be
included and I found no instance of her receiving
individual attention from reviewers. In Henry
Savage's Little Boy Blue in 1913 she was a
dancer in the role of Marcelle.
Florida reportedly immigrated to America as an infant, around
1888 but I failed to find immigration records
supporting that. Her younger sister and brother, Loretta and
Ernest, were born in the United States. The name of their father is
unknown. Their mother remarried in 1901 to
Franklin E. Cornell and I found no indication of the
family living anywhere except Manhattan.
In the years after the fire
sister, Loretta, nicknamed Rita and Retta, joined
Florida in the theater around 1909 and the pair
performed until 1920 in traveling light opera and
musical comedy troupes, nearly always in the same play,
for several years members of Henry Savage companies,
the longest run being in Merry
Loretta achieved the
individual notice that Florida did not, though it
was a single instance and said little of her acting skills.
She was recognized for looking poured into her dress
while playing the role of Olga in Merry Widow,
and for having dialogue consisting of two one-word lines,
"yes" and "no." In 1919
and 1920 the
girls were performing in John Cort's Listen
Lester. For a short time they seemed to
use one name, Florita Bellaire, but the last
newspaper advertisement listing either girl was in
April, 1920 when Florida was listed as a cast member
in Listen Lester.
By 1920 both girls reported their last
name as Coriveau but the only place the name was
published seems to have been the U.S. Census. I found no evidence of
either marrying and a decade later Loretta
returned to using the Bellaire name.
In the 1920 both reported their
occupation as actress, Florida in the theater and
Loretta in movies.
I could not track Florida
after 1920 but women by that name are found in
Canada and Massachusetts in the 1930s. Loretta became a beautician
and the girl's
mother Beatrice was divorced in 1926 after her
husband accused her of having engaged in "long and leisurely
kisses" with another man. Date of death
is not yet known for any of the three women.
Discrepancies and addendum
name was misspelled as Bellaires.
Am cautious about all names &
dates for this family. In the 1900 U.S. Census
Beatrice's date of birth was reported as 1874 and
Florida's as 1885. Since an eleven year old
did not give birth, something is amiss that may have
resulted from language difficulties when a
French-speaking woman spoke to an English-speaking
census enumerator. Add the possibility of
stage names and all bets are off on accuracy.
I suspect, though, that they may have viewed such
specifics as situational. In the 1920 U.S.
Census a decade or more was shaved from the reported
age of each woman and Beatrice was said to have been
born in New York rather than France. It
reported her age at the time of her first marriage